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Fogtown: Graphic novel with a gay twist
Special to the Online Edition of Windy City Times
by Lawrence Ferber

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Hard-boiled pulp noir gets an overtly gay twist in the new, gritty graphic novel Fogtown. Part of DC Comics' Vertigo Crime line of compact hardcovers, created by the out team of writer Andersen Gabrych ( Batman, Catwoman ) and artist Brad Rader ( Catwoman, Harry & Dickless Tom ) , Fogtown takes place in 1953 San Francisco, as the smog-soaked city finds itself in the midst of a conservative-led, "family-friendly" clamp-down on all things queer and sleazy. Weathered and deeply closeted P.I. Frank Grissel ( who screws but, tellingly, never kisses his gal Friday ) takes on what appears to be a simple missing person case but ultimately gets sucked into a sinister, twisted, and very queer underworld conspiracy.

Based in Los Angeles, Gabrych, also known for his acting appearances in films like Edge of Seventeen and Another Gay Movie ( and he performs live every other Thursday at Hudson Theater's "Sit 'N' Spin" ) and Rader, a storyboard artist for animated TV series including King of the Hill, took time to discuss the project.

Lawrence Ferber: How did you both come to work on Fogtown, which I understand Andersen initially pitched as a 12-issue miniseries?

Andersen Gabrych: I was told that Vertigo was looking for crime series, and I love film noir. Nothing is ever really said out loud and I always thought they were so gay, so why not write one where all the things vaguely hidden in noir come out? These [ detectives ] barely fuck their secretaries and aren't around too often. I thought, these guys are fucking queer. So I wrote a story where the guy is queer.

Brad Rader: Well, in 2006 I published my graphic novel Harry & Dickless Tom and premiered it at Comic-Con and Bob Schreck, whom I had worked with on a Dark Horse series called The Mark, was group editor with DC at the time. I grabbed a copy of Harry and handed it to him and he said, 'this is just what I was looking for! I've got this new project called Fogtown and it deals with a middle-aged, hard-boiled detective who gets involved with transsexuals and teen prostitutes. Does that sound interesting to you?' It's almost typecasting because Dickless Tom is like a hetero truck driver who wakes up and finds a vagina.

Andersen Gabrych: "I didn't start writing it until I knew that Brad would be the guy involved. A non-gay artist wouldn't have been able to capture the nuance of it, and he seemed to really appreciate that beefcake magazine world going on at the time in the 1950s."

LF: What was your first impression of Andersen?

BR: "Well, he's handsome, personable, intelligent. Willing to negotiate in terms of the writing. He had been warned by Bob that I tend to bring a lot of myself to the projects I work on and expect a lot of input. He was totally fine with that, and it cut both ways. Andersen had a lot of ideas about casting and whom he wanted the characters to look like. For instance, one of the characters, this murderous priest, I wanted to base off of middle-aged Spencer Tracy. And Anderson wanted him to be based on himself. I don't know what his motivation was.

Andersen Gabrych: [ Laughs ] I probably sensed I wasn't going to be writing comics more regularly and out of vanity I wanted a little piece of me to exist [ in them ] . It was vanity.

LF: Frank looks a little like George Clooney.

BR: We were basing him off this bare-knuckle martial artist fighter dude.

Andersen Gabrych: Randy Couture—because he's hot.

LF: The story takes place during a strangely repressive period in San Francisco's history. What sort of research did you do, and could you talk more about this period?

Andersen Gabrych: I did really hardcore research, actually. My cousin's husband is a S.F. historian and Dashiell Hammett scholar, so he really helped out. The reason S.F. first became such a gay mecca, besides the mining town and Barbary Coast stuff, was during WWII, which was the first time gays weren't allowed in the military. If they found out you were gay [ and you served ] in the Pacific Rim you were sent off to S.F. with a public notice on your head, so nobody went back home. They just stayed there.

S.F. was a very open city much like Amsterdam is now, but they clamped down on the whole city and everything went underground. The Korean War was coming to an end and S.F. was pressured under Oakland and Berkeley to clamp down on all the gay activity. Oakland and Berkley newspapers at the time were very anti-S.F., with headlines like "The Gay Menace." S.F. was called The Barbary Coast. Rough, drugs, whores, it was a sailor town, and that point was when it changed. That's where [ our book ] begins. And if it's underground, somebody is making a buttload of money on purpose.

LF: Did Vertigo have any issues with the sexuality or degree of explicitness with which it was portrayed?

Andersen Gabrych: There wasn't any issue as far as the gay stuff but there was an issue about how graphically I had written other things. I like filth. [ Laughs ]

BR: We have a shot of Frank after he had sex, and I asked the editor can I show his male parts and Bob said, sure, this is adult. And then he called back and said uh-uh, we have to pull back from that … but without appearing prudish or contrived. So I put Frank's hand over his crotch itching his balls so you can't see anything.

LF: What else do you guys have in the works? Andersen, I understand you would like to do a sequel that follows Frank and, not to give too much away, a new male partner of his.

Andersen Gabrych: I co-wrote and co-directed a film called Bright Day. The thing about the Fogtown miniseries [ I initially pitched ] was there was more detail I could put into it. I like the serial aspect so I'm hoping they let me do another. I envision a very long arc for Frank to take him up to the second gay revolution. That was my overall vision.

BR: Right now I'm working on a FOX TV series called Bob's Burgers created by Loren Bouchard. And you can check my websites and .

Fogtown ( Vertigo Crime, $19.99 ) is available now.

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