| Fun Places to Gay
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|  | | Chicago Symphony Orchestra
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| |  | | Merle Reskin Theatre DePaul University
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| |  | | The Station House
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| |  | | Pie Hole Pizza Joint
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| |  | | Jimmez & Co.
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| |  | | Pride Films and Plays at the Athenaeum Theatre
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| |  | | Raven Theatre
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| |  | | Someplace Else II (Oh Zone)
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| |  | | Writers Theatre at Tudor Court
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| |  | | The Call
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| |  | | Granville Anvil
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| |  | | Steppenwolf Theatre Company
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| |  | | The Courtyard Theater at Chicago Shakespeare Theatre
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| |  | | The Neo-Futurist Theater
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| |  | | Akvavit Theatre at the Storefront Theater
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| |  | | The Glenwood
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| |  | | Rascal's Bar & Grille
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| |  | | The Joffrey Ballet at Auditorium Theatre
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| |  | | Stage Left Theatre at the Storefront Theater
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| |  | | Manhandler
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Thursday November 14th
The View from Somewhere: Undoing the Myth of Journalistic Objectivity
7:00pm
Though both the right- and left-wing media claim "objectivity" in their reporting of contentious issues, the American public has become increasingly cynical about truth, fact, and reality. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of "objectivity" in journalism and how it's been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it-not just by tyrannical governments but by journalistic institutions themselves. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against "objectivity" in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers-the choices they make reflect worldviews tinted by race, class, gender, and geography. He upholds the centrality of facts and the necessary discipline of verification but argues against the long-held standard of "objective" media coverage that asks journalists to claim they are without bias. Using historical and contemporary examples-from lynching in the nineteenth century to transgender issues in the twenty-first-Wallace offers a definitive critique of "objectivity" as a catchall for accurate journalism.
Lewis Raven Wallace is an independent journalist, a co-founder of Press On, a southern movement journalism collective, and the host of The View from Somewhere podcast. He previously worked in public radio and is a longtime activist engaged in prison abolition, racial justice, and queer and trans liberation. He is a white transgender person from the Midwest and is now based in North Carolina.
Tracy Baim is publisher of the Chicago Reader. She is co-founder and former publisher of the Windy City Times. Baim received the 2013 Chicago Headline Club Lifetime Achievement Award. In 2014, she was inducted into the National Lesbian and Gay Journalists Association Hall of Fame. She was inducted into the Association for Women Journalists-Chicago Chapter Hall of Fame in 2018. She is also in the Chicago LGBT Hall of Fame. Baim has written and/or edited 12 books, produced three films, and has chaired or co-chaired numerous large-scale LGBT events.
Event Website
Women & Children First Bookstore
5233 N Clark St
Chicago, IL 60640
(773) 769-9299
Location Website
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