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THE VOICE OF CHICAGO'S GAY, LESBIAN, BI, TRANS AND QUEER COMMUNITY SINCE 1985

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Fun Places to Gay
Big ChicksBig Chicks

SidetrackSidetrack

Replay Beer & BourbonReplay Beer & Bourbon

Chicago Symphony OrchestraChicago Symphony Orchestra

Athenaeum TheatreAthenaeum Theatre

Jimmez & Co.Jimmez & Co.

Blue Man Group at Briar Street TheatreBlue Man Group at Briar Street Theatre

Donny's Skybox Studio TheatreDonny's Skybox Studio Theatre

Broadway Playhouse at Water Tower PlaceBroadway Playhouse at Water Tower Place

The ClosetThe Closet

MPAACT at the Greenhouse Theater CenterMPAACT at the Greenhouse Theater Center

Roscoe'sRoscoe's

Profiles Theatre - The Alley StageProfiles Theatre - The Alley Stage

HydrateHydrate

Ruth Page TheatreRuth Page Theatre

Shakers On Clark (Formerly 3160)Shakers On Clark (Formerly 3160)

Davenport's Piano Bar CabaretDavenport's Piano Bar Cabaret

Chicago DramatistsChicago Dramatists

Akvavit Theatre at the Storefront TheaterAkvavit Theatre at the Storefront Theater

The Joffrey Ballet at Auditorium TheatreThe Joffrey Ballet at Auditorium Theatre



  TODAYS GAY & LESBIAN EVENTS

Wednesday June 28th

Lives: Visible
8:15pm

The new film by Chicagoan Michelle Citron, Lives: Visible, is an elegy for two cultures-the working-class butch/fem world of pre-Stonewall Chicago, and the once ubiquitous film-based snapshot that recorded everyday 20th Century American life. The film screens twice during Pride month at the Gene Siskel Film Center, Friday, June 23, 8 p.m. and Wed., June 28, 8:15 p.m. The filmmaker will be at both screenings. See Citron, whose 1984 meta-documentary Daughter Rite is a classic of feminist cinema, centers her latest film on a box of more than 2,000 snapshots that had belonged to Norma and Virginia, a lesbian couple who lived together for nearly 50 years in East Rogers Park. These artifacts provide a fascinating window into the Chicago lesbian community of the pre-Stonewall era-a vanished world of bars, dances, parties and beach outings which was hidden from mainstream society and later disdained by many post-Stonewall lesbians, but which Citron, in her first-person narration, seeks to decode and reclaim as a vital, neglected part of her own history and the history of all lesbians. The film will be followed by Leftovers ( 2014, Michelle Citron, USA, 23 min. ), described by Citron as an experimental documentary, which uses a paint-by-numbers motif to recount the last years of Norma and Virginia, nearly completely isolated save for a neighbor who cared for them and, after their deaths, discovered the photographs that inspired these two films. Both in DCP digital. ( MR )


Event Website

Gene Siskel Film Center
164 N State
Chicago, IL 60601
(312) 846-2800
 Map 






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